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<dc:title>On the Transgression of the Process in \"The Shame-man meets the Mexican\'t and la hija apócrita de Frida Cola and Freddy Kruger inBrazil\" Andréa Maciel Garcia</dc:title>
<dc:creator>Hemispheric Institute; Maciel Garcia, Andréa</dc:creator>
<dc:subject>performance</dc:subject>
<dc:subject>encuentro, conference, seminar, conferencia, seminario, encontro, congresso, seminário</dc:subject>
<dc:subject>journal, revista</dc:subject>
<dc:subject>performance art, arte de performance</dc:subject>
<dc:subject>Americas, Américas, Américas</dc:subject>
<dc:subject>Brazil, Brasil</dc:subject>
<dc:subject>United States, Estados Unidos</dc:subject>
<dc:description>ENG: One of the most interesting and richest debates took place on the last night of the Hemispheric Institute and UFMG\'s Fifth Encuentro of Performance and Politics in Belo Horizonte. It was a powerful debate concerning political, aesthetic, and methodological issues, as well as a conversation based on a collective experience which involved its participants on different levels. In this article, I will discuss the trangressiveness of the creative process through a performatic happening\'s standpoint, as well as introduce a discussion on several effects of the piece\'s execution.</dc:description>
<dc:publisher>Hemispheric Institute for Performance and Politics, New York University</dc:publisher>
<dc:date>2005-05-01</dc:date>
<dc:type>DCMI: Text</dc:type>
<dc:type>Hemi: Text</dc:type>
<dc:format>text/html</dc:format>
<dc:identifier>http://hemi.es.its.nyu.edu/journal/2_1/maciel_eng.html</dc:identifier>
<dc:language>eng</dc:language>
<dc:relation></dc:relation> 
<dc:rights>http://hemi.nyu.edu/rights.html</dc:rights>
<dc:rights>public</dc:rights>
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